While there are larger, action-driven scenes throughout, I was more impressed with the quality of the conversations between various characters. From what I understand, these scenes are created using performance capture - that is, the motion and facial movement of the characters are captured and this data is used to build out each scene.

Modeling work is phenomenal throughout the game and across every single character and creature but it's not just the designs themselves but the overall cutscene direction and animation work. My first big takeaway is that Ragnarök's presentation is remarkably polished. One of the developers recently noted that this is a PlayStation 4 game at its heart designed to push that platform to its limits, but what does this mean for the PS5 version? In the last couple of years, there's been plenty of controversy about what cross-gen really means and God of War: Ragnarök certainly makes for an interesting case study. That moment has arrived at last - but the new game arrives in a very different world: PlayStation 5 has been on the market for two years while PS4 is now firmly in last-gen territory. This reinvention of Kratos struck a chord and fans have been anxiously awaiting its sequel, God of War: Ragnarök.

God of War made a huge impact when it arrived four years ago.

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